A Gallimaufry of Words

In my nearly nineteen years of existence I have come to fall deeply in love with the intricacies, the simplicities, the depth, and the beauty of words.  I survive on them.  I collect them, I organize them, I keep lists of them in my notebooks, and often I rearrange them into patterns that create worlds and stories from the emptiness of a blank page.  My bones are crafted of words, my blood runs with rivers of them, and my tongue tastes their lilting, rolling, rumbling flavors, big words and small words and beautiful words and ugly words, mysterious words and boring words, austere words and ostentatious words, old and new words, some fresh and some slightly used, lost, or brand-new.  I find an inexplicable charm in words.         

I like archaic words that nobody uses anymore, like athenaeum, obfuscate, erstwhile and contumelious.  These words are aged, like fine wine, but forgotten behind the mask of modern terms and a changing world, ones one might find in old books like Shakespeare or Jules Verne.  But I also like normal words we use every day, like cabinet, paperclip, honey, and teapot.      Continue reading “A Gallimaufry of Words”

Cabinet of Curiosities

I grew up in New England, in an old-style farmhouse built sometime in the late 30s.  It was a fairly average house in most respects, settled down a country lane lined with aspens, birches, and ancient apple orchards, with fields and white fences beyond and the sea some distance away, blue on the horizon.  The house was white, with many windows and a stone chimney, and the barn a crisp red against the green of the pastures.  The neighbors were few, the miles to town many, and the secret niches and hollows in the forests abundant.  

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The Naturalist

There is color in his eyes, echoing there; jay-bird blue and stormy-water grey, deep mossy silver and yellow like autumn leaves, sometimes brilliant green and curly white.  He sees nature as a blueprint for life, and bones as the written history of what used to be.  Brown laces the lines of his palms and fingertips, mud edges his boots, and the sleeves of his shirt are rolled up past the elbows.  Sometimes there is ink on his face and a pen behind his ear.  There is always a notebook in his hand, an extension of his arm.  A leather-bound notebook filled with scribbles and sketches, bits of leaves and insect wings taped inside.

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Earth

(From last year.  Not my favorite, but it was enjoyable to write.)

 

Set apart from millions 

a world crafted of eons 

stretching into eternity,

a single spark among infinity.

Glittering in the deep 

this waking world never sleeps. 

Ever-dreaming, ever-living,

around a sun ever-burning.

A planet filled with smoke and scars,

listen, listen to the silence of the stars. 

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Home of the Giants

Based off a recent expedition to Norway, where I spent time in Jotunheimen (which literally means ‘home of the giants’ in Norwegian) and I was inspired to write something about the endlessness of that place.  I know why it is named what it is.

 

Far beyond the dusty hills of Gjendesheim,

beyond the endless shores of the Northern Sea,

there lies a place, touched by the hands of eternity.

They called it Jotunheimen, 

named for those who dwell within the expanse,

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